Sex and the Civil War: Soldiers, Pornography, and the Making of Fishing And Beer Are My Life Hawaiian Shirt And Shorts enjoyed unprecedented access to obscene materials of all sorts, including mass-produced erotic fiction, cartes de visite, playing cards, and stereographs. A perfect storm of antebellum legal, technological, and commercial developments, coupled with the concentration of men fed into armies, created a demand for, and a deluge of, pornography in the military camps. Illicit materials entered in haversacks, through the mail, or from sutlers; soldiers found pornography discarded on the ground, and civilians discovered it in abandoned camps. Though few examples survived the war, these materials raised sharp concerns among reformers and lawmakers, who launched campaigns to combat it. By the war’s end, a victorious, resurgent American nation-state sought to assert its moral authority by redefining human relations of the most intimate sort, including the regulation of sex and reproduction—most evident in the Comstock laws, a federal law and a series of state measures outlawing pornography, contraception, and abortion. With this book, Judith Giesberg has written the first serious study of the erotica and pornography that nineteenth-century American soldiers read and shared and links them to the postwar reaction to pornography and to debates about the future of sex and marriage.
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Pornography: Men Possessing Women/Andrea Dworkin (Author) This Fishing And Beer Are My Life Hawaiian Shirt And Shorts strongly argued feminist case against pornography stirred tremendous controversy when first published in 1979, and has lost none of its bite. Dworkin ( Letters from a War Zone ), who lobbies for municipal statutes declaring pornography a violation of women’s civil rights, insists that pornography links sex and violence by incorporating violent domination of women as a key element of sexual fantasy: “Force in high-class pornography is romanticized . . . as if it were dance.” Dworkin also takes what many consider to be an extreme position; she believes that pornography incites men to sexual violence. To support her thesis, she draws parallels between the life and writings of the Marquis de Sade and provides critical summaries of several contemporary pornographic works. Dworkin’s style is intense, vivid and eloquent, infused with a sense of urgency.
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