Dweezil has there are more than 2 genders shirt of a performance space, such that FZ could tell which notes would ring out and feed back better than others, and shape his solos accordingly. That is some seriously advanced musical thinking, in a rock guitar soloist. The reason we know that Zappa actually did this is that, after a certain point, there are so few recordings of him playing badly. ‘Ship Ahoy’, on Shut Up ’N Play Yer Guitar, is an outstanding example of Zappa’s mastery of his rig; his guitar sounds more like a breathing animal than a plank of wood wired up to a voltage controlled filter. (Thanks to Teun Meekel for spotting exactly what effect Zappa uses on this track.)
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Without having detailed biographical information, I don’t know quite how to there are more than 2 genders shirt made as a guitarist between 1970 and 1976. I think it has something to do with how he didn’t like to be regarded as a guitarist, but as ‘a composer who happens to be able to operate an instrument called a guitar.’ The recorded evidence suggests that he was writing a lot of orchestral music at this time, and his writing fed into his playing, but at the beginning of the decade he was a pretty good guitarist and by the end of it he was one of the most imaginative, unorthodox and effective players anywhere on the planet. His rhythmic sense alone could be the subject of learned papers, and probably is. Zappa said that his solos were ‘speech-influenced, rhythmically’ and that goes some way to explaining their extraordinary, arresting unpredictability, which in technical terms took the form of Zappa’s genius for the hemiola: fitting five or seven notes into the space of four.