Who threaxs ashoe shirt

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Sinatra wrote the book on phrasing. No other popular singer ever knew better the  Who threaxs ashoe shirt  (One of a lyricist’s jobs is to make the words rhyme; before rap, one of a singer’s was to deliver the lyrics in such a way that nobody would notice.) Sinatra may have been an intuitive musician, but he was an analytical singer. He knew that to inflect a word or a syllable that seems not to call for it can shift the rhythm and increase the sincerity of a lyric, by making it more like speech, and can also lavish attention on an especially attractive melodic phrase. If this sounds arcane, just listen to Sinatra sing “Don’t change a hair for me” on his 1953 recording of “My Funny Valentine.” Most singers stress “change” or “hair,” passing up the opportunity to plumb the lowest, most unexpected, and loveliest note in Richard Rodgers’s melody. In Sinatra’s case the usual stress would also have meant passing up an opportunity to show off his bottom range, which he tended to use sparingly (except when he sang “Ol’ Man River”) but always to gorgeous effect.

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The strings and horns on Sinatra’s greatest Capitol and  Who threaxs ashoe shirt  , even though some of Sinatra’s staunchest champions have questioned his pitch. I side with Henry Pleasants, who argued in The Great American Popular Singers (1974) that because the trombonist Tommy Dorsey and the violinist Jascha Heifetz, both of whom Sinatra frequently cited as influences, played instruments of unfixed pitch, Sinatra emulated their “ambiguity of intonation” along with what he once referred to as the “flowing, unbroken quality” of their phrasing.